The Architect's Apprentice Page 2

  They seemed at rest. Their skin glowed, as if lit from within. Jahan could not help but think that they had not died, not really. They had stopped moving, stopped talking, and turned into something beyond his comprehension, of which only they were aware, hence the expression on their faces that could have been a smile.

  Legs trembling, hands quivering, Jahan stood there, unable to stir. Only the sound of approaching footfalls yanked him out of the fog of his bewilderment. Barely mustering the strength but finding time to cover the dead, he made a dart towards a corner and hid behind a ceiling-to-floor tapestry. In a moment the deaf-mutes entered the room, bringing another body. They put it down beside the others, gingerly.

  Just then one of them noticed that the cloth on the corpse furthest away from him had slid off. He drew closer and looked around. Unsure whether it was they who had left it like that or someone else had sneaked in after they had left, he signalled to his companions. They, too, stopped. Together they started to inspect the room.

  Alone in the corner, a flimsy fabric separating him from the murderers, Jahan was breathless with fright. So this was it, he reflected; his entire life had come to naught. So many lies and deceits had carried him this far. Oddly, and not without sadness, he recalled the lamp he had left by the garden wall, flickering in the wind. His eyes watered as he thought of his elephant and his master: both must have been innocently asleep by now. Then his mind wandered to the woman he loved. While she and others were safely dreaming in their beds, he would be killed for being where he was not supposed to be and seeing what he was not supposed to see. And all because of his curiosity – this shameless, unbridled inquisitiveness that all his life had brought him only trouble. Silently, he cursed himself. They should write it on his gravestone, in neat letters:

  Here lieth a man too nosy for his own good,

  Animal-tamer and architect’s apprentice.

  Offer a prayer for his ignorant soul.

  Pity, there was no one to relay this last wish for him.

  The same evening, in a mansion at the other end of Istanbul, the kahya* was awake, a rosary dangling from her hand, thumbing the beads. Her cheeks wrinkled as dry raisins, her thin frame hunchbacked, she had gone blind with age. Still, as long as she was within the confines of the master’s abode she had excellent sight. Every nook and cranny, every loose hinge, every creaky stair … There was no one under this roof who knew the house as well as she did, and no one as devoted to its lord and master. Of this, she was certain.

  It was quiet all around, save for the snoring that rose from the lodgings of the servants. Every now and then she caught a soft breathing, so faint as to be scarcely perceptible, from behind the closed library door. Sinan was sleeping there, having worked till late, again. He would ordinarily spend the evenings with his family, retreating before supper to the haremlik, where his wife and daughters lived and where no apprentice ever ventured. But tonight, as on many nights, after breaking his fast, he had gone back to his drawings and fallen asleep amid his books and scrolls, in the room that welcomed the sun before the rest of the large, generous house. The kahya had prepared a bed for him, spreading a mat on the carpet.

  He worked too much, despite being eighty-five years old. At his age a man ought to rest, eat well and make his devotions, surrounded by his children and grandchildren. Whatever strength was left in his limbs he should use to go on a pilgrimage to Mecca, and if he perished on the way there, all the better for his soul. Why was the master not getting ready for the hereafter? And if he was getting ready for it, what on earth was he doing on construction sites, his elegant kaftans covered in dust and mud? While the kahya was cross at the master for not taking better care of himself, she was also cross at the Sultan and at every passing vizier for working the man so hard; and she was furious at Sinan’s apprentices for not removing the extra load from their Lord’s shoulders. Lazy lads! Not that they were lads any more. She had known the four of them since they were clueless novices. Nikola, the most talented and the most timid; Davud, eager and earnest but impatient; Yusuf, mute and full of secrets, like a dense, impenetrable forest; and that Indian, Jahan, who was always asking questions, Why is this so, How does that work, though he scarcely listened to the answers.

  Pondering and praying, the kahya stared for a while into the abyss inside her eyes. Her thumb, forefinger and third finger, which had been pushing the amber beads, one by one, slowed down. So did her muttering, ‘Alhamdulillah, Alhamdulillah.’* Her head began to droop, and her mouth opened, releasing a gasp.

  A moment or an hour later, she couldn’t tell, she woke up to a noise in the distance. The clatter of hooves and wheels on cobblestones. A carriage was travelling at full tilt, and, by the sound of it, heading in their direction. Sinan’s house was the only residence on a deadend street. Should the carriage round the corner, it could be coming only for them. A shudder ran through her, as if a sudden chill had passed down her spine.

  Murmuring a prayer against unholy spirits, she stood up briskly, despite her years. With short, swinging strides she went down the stairs, along the corridors and out on to the patio. Divided into raised terraces, adorned with a pool and redolent of the sweetest fragrances, the garden filled the heart of every visitor with joy. The master had made it by himself, conveying water to the house with a special permit from the Sultan – thus arousing the jealousy and resentment of his enemies. Now the water-wheel turned serenely, its steady gurgle assuring her with a predictability that life itself always lacked.

  Above her, the moon, a sickle of silver, hid behind a cloud, and for a fleeting instant, in slate-grey, the sky and the earth were welded together. Down the path to her right there was a steep-sided grove, and, far below, a bostan where they grew herbs and vegetables. She took the other path, wending her way up towards the courtyard. On one side stood a well, its water icy cold, winter and summer. Clustered in the opposite corner were the privies. She avoided them, as she always did. The djinn held their weddings there, and whoever disturbed them in the pitch of night would be left crippled until doomsday, the curse so strong it would take seven generations to wipe it out. Since she hated using a chamber pot even more than visiting the privies in the dark, every day after dusk the old kahya would stop eating and drinking, so as not to be at the mercy of her body.

  Distraught, she reached the gate that opened on to the street. Of three things in this life she expected no good: a man who had sold his soul to Sheitan; a woman proud of her beauty; and the news that could not wait till the morning to be delivered.

  Shortly the carriage came to a halt on the other side of the high fence. The horse gave a snort; heavy footsteps were heard. The kahya smelled sweat in the air, whether of the beast or of the messenger, she couldn’t tell. Whoever this intruder was, the old woman was in no hurry to find out. First she needed to recite Surah al-Falaq seven times. I seek refuge with the Lord of the Dawn, from the evil of everything He has created and from the evil of the dark and from the evil of the women who blow on the knots …

  In the meantime, the messenger was tapping on the door. Polite but persistent. The kind of knocking that would escalate into pounding if left unanswered for a bit too long – and indeed, very soon, did so. The servants, only just waking up, scurried to the garden one by one, carrying lamps, pulling their shawls over their gowns. Unable to postpone the moment any longer, the kahya uttered Bismillah al-Rahman al-Rahim* and drew back the bolt.

  A stranger appeared as the moon slid from behind the clouds. Short, stocky and, by the shape of his eyes, a Tatar. A leather flask across his shoulder, a swagger in his pose, he frowned, not hiding his annoyance at finding so many people watching him.

  ‘I come from the palace,’ he announced, in an unnecessarily loud voice.

  The silence that ensued was anything but welcoming.

  ‘Need to talk to your master,’ the messenger said.

  Straightening his shoulders, the man was about to walk in when the kahya raised her hand, stopping him. ‘Are you
entering right foot first?’

  ‘What?’

  ‘If you are crossing this threshold, you ought to come in with your right foot first.’

  He peered down at his feet, as if he feared they might run away; then the messenger took a careful step. Once inside, he proclaimed he was sent by no other than the Sultan himself on a matter of urgency, though he didn’t need to say any of this: they had all understood as much.

  ‘I’ve been ordered to collect the Chief Royal Architect,’ he added.

  The kahya trembled, her cheeks drained of colour. She cleared her throat, the words she could not utter piling up inside her mouth. She would rather inform this man that she could not disturb the master, who had already slept so little. But, of course, she said no such thing. Instead she muttered, ‘You wait here.’

  She turned her head to one side, her eyes flittering into empty space. ‘Come with me, Hasan,’ she said to one of the pages, who was there, she knew, because he smelled distinctively of grease and of clove candy, which he popped into his mouth on the sly.

  They set off, she leading the way, the boy following with a lamp. The floorboards creaked under their feet. The kahya smiled to herself. The master erected magnificent buildings near and far but forgot to repair the floors in his own house.

  Upon entering the library, they were surrounded by a balmy smell – the scents of books, ink, leather, beeswax, cedar rosaries and walnut shelves.

  ‘Effendi, wake up,’ the kahya whispered, her voice soft as silk.

  She stood still, listening to the rise and fall of her master’s breathing. She called again, louder this time. Not a stir.

  The boy, meanwhile, having never been this close to the master, was scrutinizing him: the long, arched nose, the wide forehead with deep lines, the thick, hoary beard that he restlessly tugged at when lost in thought, the scar on his left eyebrow – a reminder of the day when, as a youngster working in his father’s carpentry workshop, Sinan had fallen on a wedge. The boy’s gaze slid to the master’s hands. With strong, bony fingers and rough, callused palms, they were the hands of a man accustomed to outdoor work.

  The third time the kahya called his name, Sinan opened his eyes and sat up in bed. A shadow fell on his features as he saw the two figures by his side. He knew they would never have dared to awaken him at this hour unless a calamity had occurred or the city had burned to the ground.

  ‘A messenger arrived,’ the kahya explained. ‘You are expected in the palace.’

  Slowly, Sinan heaved himself out of bed. ‘May it be good news, insha’Allah.’

  Holding out a bowl, pouring water from a pitcher and feeling rather important, the boy helped his master to wash his face and get dressed. A pale shirt, a kaftan, not one of the new ones but an old, brown one, thick and trimmed with fur. Together the three of them clambered downstairs.

  The messenger bowed his head upon seeing them coming. ‘I beg your pardon for disturbing you, effendi, but I have commands to take you to the palace.’

  ‘One must do one’s duty,’ Sinan said.

  The kahya interjected, ‘Can the boy accompany the master?’

  The messenger raised an eyebrow, staring directly at Sinan. ‘I’ve been instructed to bring you and no one else.’

  Anger, like bile, rose in the kahya’s mouth. She might have snapped had Sinan not placed a calming hand on her shoulder and said, ‘It’ll be fine.’

  The architect and the messenger walked outside into the night. There wasn’t a creature in sight, not even a stray dog, of which there were so many in this city. Once Sinan was settled in the carriage, the messenger closed the door and hopped up on to the seat next to the driver, who had not spoken a single word. The horses lurched, and soon they were speeding through the drab streets, bobbing up and down.

  To hide his unease Sinan moved aside the tightly drawn curtains and stared outside. As they galloped through crooked streets and under boughs that bent with sorrow, he mused on the people sleeping in their homes, the rich in their konaks, the poor in their shacks. They passed by the Jewish quarter, the Armenian quarter and the neighbourhoods of Greeks and Levantines. He observed the churches, none of which were permitted to have bells, the synagogues with square courtyards, the mosques roofed with lead, and the mud-brick and wooden houses that leaned against each other as if for solace. Even the gentry had their houses built of poorly baked bricks. He wondered, for the thousandth time, how a city so rich in beauty could be crammed with houses so poorly built.

  Finally, they reached the palace. At the end of the first courtyard the carriage drew to a halt. The palace runners came around for help, their movements deft and practised. Sinan and the messenger made their way across the Middle Gate, which no one save the Sultan could pass through on horseback. They strode past a marble fountain that glowed in the dark, like a being from another world. The pavilions by the seaside, which loomed up in the distance, resembled sulky giants. Having recently expanded parts of the harem and renewed the imperial kitchens, Sinan was quite familiar with his surroundings. Suddenly he stopped, seeing a pair of eyes looking at him from the depths of the dark. It was a gazelle. Big, shiny, liquid eyes. There were other animals around – peacocks, turtles, ostriches, antelopes. All of them were, for a reason he could not comprehend, awake and alarmed.

  The air was chilly and crisp, tinged with myrtle, hellebore and rosemary. It had rained earlier in the evening, and the grass yielded beneath their feet. The guards moved aside to let them pass. They reached the massive stone building, the colour of storm clouds, and passed through a hall illuminated with tallow candles trembling in the draught. After crossing two chambers they halted in the third. No sooner had they reached this room than the messenger excused himself and vanished. Sinan squinted to accustom his eyes to the vastness of the place. Every pitcher, every cushion, every ornament cast eerie shadows that squirmed and writhed on the walls as though they craved to tell him something.

  In the opposite corner the light was softer. Sinan winced when he noticed the sacks on the floor. Through an opening he could see the face of a corpse. His shoulders sank, his eyes watered, as he observed how young the boy had been. He understood. There were rumours this would happen, though he had refused to believe them. Dazed, aghast, he staggered against the wall. His prayer, when he could find the words, was slow, interrupted by a gasp each time he fought for breath.

  He had not yet said amin, not yet wiped his face with both hands, when a creak came from behind him. Finishing his prayer, he glared at the tapestry hanging on the wall. He was sure that was where the sound had come from. His mouth dry as chalk, he shuffled towards it and pulled the fabric aside – only to find a familiar figure, shivering and sallow with fear.

  ‘Jahan?’

  ‘Master!’

  ‘What are you doing here?’

  Jahan leaped out, thanking his lucky stars – the stars that had sent not the deaf-mute to throttle him but the one person in the entire world who could come to his rescue. On his knees, he kissed the old man’s hand and put it to his forehead.

  ‘You are a saint, master. I always suspected. Now I know. If I get out of here alive, I shall tell everyone.’

  ‘Sssh, don’t speak nonsense and don’t shout. How did you get in?’

  There was no time to explain. Footfalls pounded down the corridor, echoing off the high ceilings and ornamented walls. Standing up, Jahan inched towards his master, hoping to become invisible. The next moment Murad III entered the room, his entourage following. Not tall, rather portly, he had an aquiline nose, a large beard close to blond and bold brown eyes under arching brows. He paused, deciding which tone to employ: his soft one, his harsh one or his harshest one.

  Sinan quickly composed himself, kissing the hem of the sovereign’s kaftan. His apprentice bowed low and went rigid, unable to look up at the Shadow of God on earth. Jahan was puzzled not so much by the Sultan as by finding himself in his imperial presence. For a sultan Murad had now become. His father, Selim the Sot, ha
d tripped on wet marble in the hamam, falling to his death, three sheets to the wind, so they gossiped, even though he had repented of his ways and sworn never to touch wine again. Just before dusk, amid much adulation and praise, and a cascade of fireworks, drums and trumpets, Murad had been girded with the sword of his ancestor Osman and proclaimed the new padishah.

  Outside, far off, the sea soughed and sighed. Not daring to budge, Jahan waited quiet as a tomb, sweat breaking out on his forehead. He listened to the silence weighing down his shoulders, bringing his lips so close to the floor he could have kissed it like a cold lover.

  ‘Why are the dead here?’ asked the Sultan as soon as he glanced at the sacks on the floor. ‘Have you no shame?’

  One of his attendants replied immediately: ‘We beg your pardon, my Lord. We thought you might wish to see them one more time. We will take them to the mortuary and make sure they are respected as they should be.’

  The Sultan said nothing. He then turned towards the figures kneeling down before him. ‘Architect, is this one of your apprentices?’

  Sinan replied, ‘He is, your Highness. One of the four.’

  ‘I had asked for you to come alone. Did the messenger disobey my orders?’

  ‘It’s my fault,’ Sinan said. ‘Forgive me. At my age, I need help.’

  The Sultan considered this for a moment. ‘What is his name?’

  ‘Jahan, my felicitous Lord. You might remember him as the palace mahout. He looks after the white elephant.’